Opera by Paul Barker
after the novel by
Doris Lessing
Doris Lessing's powerful, mystical parable is concerned with the breaking of boundaries between vastly differing societies separated by physical Zones. It focuses on Alith, Queen of Zone 3 and Ben Ata, King of Zone 4. Their enforced marriage brings about fundamental changes in attitude to relationships between men and women, adulthood and childhood, war and peace.
Paul Barker's translation of this onto the musical stage won both the acclaim of audiences and critics at its premiere in 1985, and was subsequently awarded two prizes. The score explores many corresponding musical and theatrical devices: Eastern and Western influences; childlike simplicity and sophisicated complexity; dramatic reality and mystical allusion.
Awarded British Music Society Prize for Contemporary Opera, 1985
Highly Commended by the International Carl-Maria-von-Weber Competition (Staatsoper, Dresden, 1986)
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The Marriages Betwe
The Marriages Between Zones 3, 4 & 5
listen to the opening of the opera:
"Rumours are the begetters of gossip.
Even more are they the begetters of song.
We, the story tellers and song makers of Zone Three,
profess that even before this Marriage took place,
the answers to our problems
were to be found in the songs and poems of our land."
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PRESS COMMENTS
Mr Barker commands that most elusive and important quality needed for music of the stage - forward movement - indeed, I wager that we shall be hearing more from Paul, Barker.
FINANCIAL TIMES
His musical language hovers in an attractive zone somewhere between tonality and atonality; his vocal lines are testing as they are rewarding, and his writing for chamber orchestra is consistently inventive.
OPERA
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