Japanese text, sung in The Pillow Song, from "The Confessions of Lady Nijo", written in Japan in about 1307. The words were attributed to GoFukakusa, the 89th Emperor, and were addressed to Lady Nijo, herself.
|
The Pillow Song
REVIEWS (UK Press)
Review in Mexico:
http://www.jornada.unam.mx/2003/ene03/030131/03an1cul.php?origen=cultura.html
Paul Barker, in the Pillow Song, used a spare and haunting texture of solo soprano, chorus of four women's voices, and occasionally quiet gong-strokes, to off-set a gentle story of tenth-century Japan...this was enchanting.
The Independent
The Pillow Song demonstrated once again the remarkably individual gifts of the composer Paul Barker (who also played oriental percussion as a one-person accompaniment).....
Classical Music
A composer of true originality, he avoids easy solutions on the one hand and fashionable obscurantism on the other. The Pillow Song displays that skill in vocal writing and in keeping music and dramatic action moving forward which Rodney Milnes hailed three years ago...the whole work, of about thirty minutes. would seem a gift to television and meanwhile merits major festival performances.
Opera
Paul Barker's The Pillow Song (1988) is an intriguing piece...the vocal writing is well-wrought and grateful to the ear. Mr Barker has found a fluent style for his protagonist, whose occasional high melismatic bursts generate tension and excitement.
The Stage
MMTT, 1994, the South Bank, London
The Pillow Song [1988]
The extraordinary life of Sei Shonagan, a tenth century Japanese court lady.
Libretto by composer after The Pillow Book, the diary of a tenth century Japanese court lady.
Premiere 1.6.88; MMTT, London International Opera Festival; dir. Akemi Horie.
2nd production by Sally Langford, Mansfield Festival and Arts Council tour 1991.
3rd production by Caroline Pope des. Susan Stockwell for MMTT tour, 1994.
4th production: scenes incorporated at Trinity College of Music production, 1996.
5th production: Festival Música y Escena, México City, February 2003
6th production: University of Baton Rouge, Louisiana, USA. 2003
7th production: Ciclo de canto, CNA, Mexico July 2004
|