The title and starting point is the satirical pamphlet of the same name by Jonathan Swift, published in 1704. Swift attempted to provide an answer to the philosophical problem of why Mohammed chose to travel to Paradise on the back of a donkey, despite the availability of more sophisticated vehicles.
The work is at a Research and Development stage, funded by the Arts Council of England and the Arts & Humanities Research Board.
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The Mechanical Operation of the Spirit
...an opera for string quartet, a philosophical treatise, a symphonic composition for voices, a game, a multimedia entertainment, a dramatic representation, an ironic historical enquiry, a satirical exposé, a digital extravaganza, a visual feat, an aural orgy and an awesome event.
But at the moment it is just a prototype.
R&D Personnel:
Paul Barker; Devisor & Composer
Chris Newell; Realiso & Director
Sarah Leonard; Soprano
Stephen Chance, Actor/Writer
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